Reality is never fixed.
What we perceive is shaped by where we stand.

Parallax explores not the multiplication of a single form, but the way reality is continually reconstructed through perception.

The sculpture consists of a single body. Yet as the viewer moves, the form dissolves, separates, and reunites. From one viewpoint it appears as a single figure; from another, it becomes two distinct presences.

Neither is more real than the other.

For it is not the sculpture that changes, but perception itself.

The mirror does more than reflect. It completes what is absent, transforms what is visible, and draws the viewer into the work as an active participant.

The sculpture is therefore not a static object, but an experience continually activated through movement.

Every step reveals another body.
Every viewpoint constructs another reality.

Parallax reminds us that truth does not exist in a single perspective, but emerges through the relationship between position, distance, and perception.

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This sculpture is not about what is seen, but about the act of seeing itself.